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电影资源:《呼我,以你的名字》(Call Me by Your name)

2026-04-15 22:12:05

放假啦！

来，看电影杀时间。

今天，推送《呼我，以你的名字》（Call Me by Your Name）。

该片，2017年11月，该片获得第27届哥谭独立电影奖最佳影片；同年11月29日，被英国《帝国》杂志评选为2017年度十佳电影；同年12月，获得美国电影学会2017十佳影片。2018年2月12日，该片获得美国编剧工会奖电影类最佳剧本；同年3月5日，获得第90届奥斯卡金像奖最佳改编剧本奖。

故事发生在八十年代的意大利里维埃拉。

每年夏天，十七岁的少年艾力奥都会跟家人一起来此地度假。

今年，和他们共享假日时光的，还有来自美国的奥利弗，高大英俊热情开朗的奥利弗很快就获得了艾力奥一家人的喜爱。

随着时间的推移，艾力奥和奥利弗之间渐渐产生了致命的吸引力，但性别和年龄的桎梏让他们迟迟无法跨出那关键的一步。

与此同时，单纯善良的少女马奇娅也向艾力奥奉献着自己的感情和身体。最终，汹涌的激情冲破了艾力奥和奥利弗之间的防线，两人开始了一段注定不会有结果的恋情。

Call Me by Your Name is a 2017 coming-of-age romantic drama film directed by Luca Guadagnino and with a screenplay by James Ivory based on André Aciman's 2007 novel of the same name. The film is the final installment in Guadagnino's thematic "Desire" trilogy, after his 2009 film I Am Love and his 2015 film A Bigger Splash. Set in northern Italy in 1983, Call Me by Your Name chronicles a romantic relationship between 17-year-old Elio Perlman (Timothée Chalamet) and his professor father's 24-year-old graduate-student assistant Oliver (Armie Hammer).

The National Board of Review and the American Film Institute selected Call Me by Your Name as one of the top 10 films of the year. At the 90th Academy Awards, it was nominated for Best Picture, Best Actor (Chalamet), Best Original Song ("Mystery of Love"), and Best Adapted Screenplay, winning Best Adapted Screenplay. Chalamet became the youngest Best Actor nominee since 1939, and Ivory became the oldest winner in any competitive category. The film received four nominations at the 71st British Academy Film Awards, including Best Film and Best Direction, and won Best Adapted Screenplay for Ivory. At the 75th Golden Globe Awards, it was nominated for Best Motion Picture – Drama, Best Actor – Motion Picture Drama for Chalamet and Best Supporting Actor for Hammer.

Plot

It is the summer of 1983. Elio, a 17-year-old Jewish-American youth, lives with his parents in rural northern Italy. Elio's father, a professor of archaeology, invites a 24-year-old Jewish-American graduate student, Oliver, to live with the family over the summer and help with his academic paperwork. Elio, an introspective bibliophile and a talented musician, initially finds little in common with Oliver, who has a carefree and exuberant personality. Elio resents having to give up his bedroom for Oliver for the duration of his stay. Elio spends much of the summer reading, playing piano, and hanging out with his girlfriend, Marzia. Meanwhile, Oliver expresses attraction for one of the local girls, much to Elio's annoyance.

Elio and Oliver swim together, go for long walks into town, and accompany Elio's father on an archaeological trip. Elio begins a sexual relationship with Marzia and brags about it in front of Oliver to gauge his reaction, but nonetheless finds himself increasingly attracted to Oliver. He sneaks into Oliver's room to smell his bathing suit, and thinks about him while masturbating. During a trip to the post office, Elio indirectly confesses his feelings to Oliver, who tells him he should not act on them. Later that day, Elio and Oliver kiss, but Oliver is reluctant to go any further. The two grow distant.

In response to a note from Elio, Oliver leaves a message on Elio's desk suggesting they meet at midnight. Elio spends the day with Marzia but longs to see Oliver. At midnight, he approaches Oliver and they have sex. They become more physically and emotionally intimate over the next few days, having sex frequently while keeping their relationship secret. In bed, Oliver tells Elio, "Call me by your name and I'll call you by mine". Now smitten with Oliver, Elio starts avoiding Marzia.

As the end of Oliver's stay approaches, the couple find themselves overcome by uncertainty and longing. Elio's parents—who are privately aware of the bond between the two, but do not address it openly—recommend they visit Bergamo together before Oliver returns to the United States. After spending three romantic days together, Elio, heartbroken after Oliver leaves, calls his mother and asks her to pick him up and take him home. Marzia, who still wants to be friends with Elio, is sympathetic. His father, seeing Elio's sadness, tells him he was aware of their relationship, confesses to almost having had a similar relationship in his own youth, and urges Elio to learn and grow from his grief, instead of quickly moving on.

During Hanukkah, Oliver telephones Elio's family to tell them he is engaged to be married. Oliver tells Elio he "remembers everything" very clearly. After the call Elio stares into the fireplace, crying and reminiscing, as his parents and the house staff prepare a holiday dinner.

Styles and Themes

Guadagnino described his approach in the film as "lighthearted and simple"; it is a departure from his "highly stylised [and] dazzling" previous work, according to Jordan Hoffman of The Guardian. Guadagnino considers Call Me by Your Name an "homage to the fathers of my life: my own father, and my cinematic ones", referring to filmmakers Jean Renoir, Jacques Rivette, Éric Rohmer, and Bernardo Bertolucci, who inspired him.

Guadagnino has described Call Me by Your Name as a family-oriented film for the purpose of "transmission of knowledge and hope that people of different generations come to see the film together." He saw it not as a "gay" movie but as a film about the "beauty of the newborn idea of desire, unbiased and uncynical", reflecting his motto of living "with a sense of joie de vivre" whereby "we should always be very earnest with one's feelings, instead of hiding them or shielding ourselves." He considered it an "uplifting film" about "being who you want to be and finding yourself into the gaze of the other in his or her otherness."

The director tried to avoid the flaws he had seen in most coming-of-age films, where growth is often portrayed as being a result of resolving preconceived dilemmas such as an enforced choice between two lovers. He also wanted the story to follow two people in the moment, rather than focus on an antagonist or a tragedy[—an approach inspired by À nos amours (1983), directed by Maurice Pialat. As someone who considers sex in film a representation of the characters' behavior and identity, Guadagnino was not interested in including explicit sex scenes in the film. He explained his intention: "I wanted the audience to completely rely on the emotional travel of these people and feel first love... It was important to me to create this powerful universality, because the whole idea of the movie is that the other person makes you beautiful—enlightens you, elevates you."

André Aciman, on whose nover of the same name the film was based, was surprised by Guadagnino's final scene where Elio is seen crying by the fireplace. He wrote of the film adaptation:

Cinema can be an entirely magical medium. What I do as a writer, and what Guadagnino does as a film director, is more than speak two different languages. What I do is chisel a statue down to its finest, most elusive details. What a film director does is make the statue move.